For the first time in my lifetime the four paintings of Veronese’s Allegory of Love are being show together. Wow! Having driven myself slightly mad drawing from The Vision of Saint Helene I thought I would further the experience with Respect http://www.nationalgallery.org.uk/paintings/paolo-veronese-respect Strangely, working from this complex piece was delightful. The elusiveness of Veronese coupled with the believability get me every time. There’s also something about seeing the Allegory as a whole which makes it so much more than the sum of the parts.
At the moment room 9 of the National Gallery is even more of a treat than usual. With a host of Veronese pictures hung together, including the four ceiling paintings, it’s worth a lingering visit. Captured by Veronese’s use of anatomical exaggeration to lend theatre to his work, I began sketching “The Vision of Saint Helene”. It’s been a difficult learning curb. Helene’s tilted chin, so artfully painted by the master utterly confounded this student.