#Watercolour5

#MakeASplash #Watercolour5 Again for this I employed my Wilko gel pens. This time I drew out some imaginary bits and bobs in blue ink. Afterwards I took my masking fluid pen and added in more details or retraced my drawing. I wanted to have the contrast between using blue ink lines and the white of the paper Once the masking fluid was dry I painted over the image very roughly with a large brush.   

After Tintoretto: Christ Washing the Feet of the Disciples. Sketchbook page, HB pencil on paper, Charlie Kirkham 2014.

After Tintoretto : Christ Washing the Feet of the Disciples

Although badly worn and in part dubiously restored, this painting still has impact. Tintoretto was a very fast painter, favouring a dark ground. Sadly, many of his paintings are badly deteriorated. The picture above is much clearer than the painting itself. I enjoyed drawing from this because the composition is very complex. As you scan it more figures seem to appear out of the ether.

"Study in Silhouette", black paper collaged onto coloured paper, 14x9", Charlie Kirkham 2015.

Paper Cut Silhouette

I started thinking about turning the Dice and Adicia ink on paper studies into papercuts. This was my first attempt at making a figure in black paper on coloured paper. There is a certain charm to the crude cutting here. It convinced me that more work is needed to get a series of them off the ground and that perhaps the printing direction is going to have more longevity to it. So, with that in mind I’ve begun cutting out the collograph plates for the series, which I will get up once they’re  done.

El Greco “Agony in the Garden”

When you find a new painting in the National Gallery it’s a good idea to sketch it fast! I was very excited to see that this El Greco version has been lent by a private collection and is hung next to the gallery’s own version of “The Agony in the Garden”.   El Greco is a complicated painter, taking Tintoretto’s school of composition and running with it. Always an exciting artist to copy.  If you’re near the National Gallery this week run in and see this painting before it returns to its collection.