Had some great news from the Addenbrookes show that both the “Agony in the Garden” collages have sold. I’m really happy they are on their way to a new home.
Pleased to be showing a small brick drawing with the SGFA this year. Look out for it on the column opposite the door. The exhibition is open until the 15th October 2016 at 5pm. For more information see sgfa.org.uk.
Opening on Monday the 5th of October and running until the 17th the Annual Open Exhibition of the SGFA shows drawing in all its forms. I will be showing three pieces, “Golden Boy”, “The Red Tree” and “Autumn Leaves“.
The third in my series of Saintly Trees. This is based on the saint of orchards and gardeners, Dorethea. The story is reproduced here: http://www.catholic.org/saints/saint.php?saint_id=221 There are also some fantastic paintings which helped me with he apples, Lucas Cranach the Elder’s Venus & Cupid is a great example (and free to visit!) http://www.nationalgallery.org.uk/paintings/lucas-cranach-the-elder-cupid-complaining-to-venus The drawing is 100x100cm. Initially I primed the paper with grey acrylic as my main challenge withy he last two was getting a sense of depth and tone. Obliterating the white was liberating. Here’s the journey so far: I will publish more photos as the drawing progresses.
Last chance to see! http://www.sgfa.org.uk/drawn-together-members-exhibition-at-bankside-gallery-30th-june-5th-july-2015/ On show is my “Saint Sebastian’s Lobster Tree”. Part of the Saintly Trees series.
The Wren started off as an idea in my sketchbook, as so many drawings do. It was an image that I liked but was unsure what to do with. Later, as I began the series exploring the imaginary woods of the Tree People, a people who are based on mythological tree spirits. For more myths about trees see http://www.mythencyclopedia.com/Tr-Wa/Trees-in-Mythology.html Working in paintmarker and ink for the colours I wanted to fully integrate the pencil drawing into the work. Each branch of the trees and the shadows of the fish are creating using HB pencil. The leafless branches become a pattern…
I’m delighted to have had three pieces accepted from the Open Submission for the 2014 ING Discerning Eye exhibition. The Discerning Eye annual exhibition is a show of small works independently selected by six prominent figures from different areas of the art world: two artists, two collectors and two critics. Work is selected from open submission and from artists invited by the individual selectors. Each selector’s section is hung separately giving the impression of six small exhibitions within the whole. Running from the 13-23 November at the Mall Galleries, London. Here are my three pieces.
Last chance to see Draw14, an exhibition of hand drawn works. Running until the 18 October at the Menier Gallery, Southwark Street, London Bridge.
I started this as a hard ground etching, it’s only a small 25x25cm plate (roofer’s zinc, 1mm). After running a proof of the etching I wanted to add in tonality. Aquatint is a great method for adding tone either in addition to or in place of etching’s cross hatched lines. Based on this sketchbook page: The colour is a mix of ivory black and viridian green intaglio inks, I used Fabriano paper as it’s a nice in between, the smooth effect of cartridge with more bite, but not as thick and absorbent as the Somerset papers. It is showing at…