I based this angel on the idea of looking into the sea from a beach. The wings are based on simplified versions of a Kingfisher.
I worked from a low viewpoint to create this life portrait of Kit. Sitting on the floor and painting can be quite tricky but also fun. I enjoyed working from the same eye level as the model and used a limited palette of lemon yellow, titanium white, burnt umber, alizarin crimson, cadmium red and ultramarine blue.
I love mythology and story telling. Lately, having been spending a lot of time working from History Paintings in the National Gallery, I have tried to approach my own work in a new way. The idea behind this painting comes from Ovid’s Metamorphosis. It’s quite a complicated story so I have reproduced it below: Often, as Jupiter came and went, he would stop short at the sight of Callisto, a girl from Nonacris, feeling the fire take in the very marrow of his bones… she was one of Diana’s companions…Jupiter, seeing her there weary and unprotected, said ‘Here, surely, my wife will…
I’m delighted to have had three pieces accepted from the Open Submission for the 2014 ING Discerning Eye exhibition. The Discerning Eye annual exhibition is a show of small works independently selected by six prominent figures from different areas of the art world: two artists, two collectors and two critics. Work is selected from open submission and from artists invited by the individual selectors. Each selector’s section is hung separately giving the impression of six small exhibitions within the whole. Running from the 13-23 November at the Mall Galleries, London. Here are my three pieces.