"Study in Silhouette", black paper collaged onto coloured paper, 14x9", Charlie Kirkham 2015.

Paper Cut Silhouette

I started thinking about turning the Dice and Adicia ink on paper studies into papercuts. This was my first attempt at making a figure in black paper on coloured paper. There is a certain charm to the crude cutting here. It convinced me that more work is needed to get a series of them off the ground and that perhaps the printing direction is going to have more longevity to it. So, with that in mind I’ve begun cutting out the collograph plates for the series, which I will get up once they’re  done.

"After Garofalo: Allegory of Love", Charlie Kirkham, watercolour pencil on paper, 2015.

After Garofalo: An Allegory of Love

  The strange caped man in red swooping in, the lizard, the goat and the weirdly headed cupid all make this a great painting to draw from. That’s before we get onto the beautifully painted landscape on the left. This very strange painting follows a popular theme and shows us another Allegory of Love. Hosted by the National Gallery for more information on the painting click here.

"Diana and Callisto", oil on canvas, 25x36", Charlie Kirkham 2015.

Diana and Callisto

I love mythology and story telling. Lately, having been spending a lot of time working from History Paintings in the National Gallery, I have tried to approach my own work in a new way. The idea behind this painting comes from Ovid’s Metamorphosis. It’s quite a complicated story so I have reproduced it below: Often, as Jupiter came and went, he would stop short at the sight of Callisto, a girl from Nonacris, feeling the fire take in the very marrow of his bones… she was one of Diana’s companions…Jupiter, seeing her there weary and unprotected, said ‘Here, surely, my wife will…

"Treeman Holding the Fox", 297x420mm, paint marker, ink and pencil on paper, Charlie Kirkham 2013.

Treeman Holding the Fox

This image was based around the Treemen’s woods idea. Following on from the sketchbook images and pieces that were inspired by the combination of “Who Killed Cock Robin?” and “The Swineherd“. When all this is over, said the swineherd, I mean to retire, where Nobody will have heard about my special skills And conversation is mainly about the weather. I intend to learn how to make coffee, as least as well As the Portuguese lay-sister in the kitchen And polish the brass fenders every day. I want to lie awake at night Listening to cream crawling to the top of…

"Treemen and A Rev. Rook", 297x420mm, paint marker, ink and pencil on paper, Charlie Kirkham 2013.

Treemen And A Rev. Rook

Using studies of Using models Gary, Paul and Tim as a basis for the figures I was also inspired by the Old Oak Tree. The Old Oak Tree on my grandmother’s drive really looked as if it had faces in it, as a child I remember it looming over me, a massive structure in wood. The tree was fairly covered with twisted ivy. There was another old pear tree in my parent’s garden which was so covered in ivy the tree inside had died. I watched it fall down in a storm, watching through the window with my brother. It…