Visions of Science Art Bursary 201

A few months ago I saw a Call for Entries that looked particularly exciting. It was to collaborate with The University of Bath through Edge Arts Bath, on a science and art project. My submission video is here. https://vimeo.com/271723048?utm_source=email&utm_medium=vimeo-cliptranscode-201504&utm_campaign=28749 The starting point for the painting came from the 1445 Giovanni di Paolo (di Grazia) paiting, “The Creation of the World and the Expulsion from Paradise”. I pitched the idea to Edge Arts Bath of creating an oil on board version, using the same basic compositional elements but exploring the theme of microbiology. For my Visions of Science Art Bursary I…

‘Adam & Eve’ after Lucas Cranach the Elder

The Courtauld Institute houses the fantastic ‘Adam and Eve’ by Lucas Cranach the Elder. I drew from it some years ago, a quick pencil study which has been at the bottom of my sketchbook gathering dust. It was when I drew from Cranach’s National Gallery Venus and Cupid painting that I remembered my previous love of this one. What draws me to Cranach the Elder is the bizarre forms of the figures and the composition of the elongated shapes. I looked at my sketch, a detail from the centre of the painting and wanted to continue with my collage series…

SGFA Annual Exhibition @ The Menier Gallery, London

Opening on Monday the 5th of October and running until the 17th the Annual Open Exhibition of the SGFA shows drawing in all its forms. I will be showing three pieces, “Golden Boy”, “The Red Tree” and “Autumn Leaves“.

"Lucy's Dream", oil on canvas, 76 x 122Cm, Charlie Kirkham 2014.

Lucy’s Dream 

The painting developed from a life drawing of Lucy, seen from above. The drawing was a good exercise in balancing on a box as well as drawing from a high view point. Something about the drawing reminded me of flying and so it seemed natural that Lucy developed wings in the pairing. Rather than being in the studio sun lounger she is transferred to a textured dreamy space. I limited the colours to reflect the initial drawings limited graphite colour shades, but I added in the bursts of bright yellow. The painting will be on display at Tanner & Co….

After Moroni “Portrait of a Gentleman”

The RA Moroni exhibition was an inspiration. London has the best collection of Moroni’s work outside of Italy, he was enormously popular with the Victorians. I’ve learnt so much from looking at his work. Here is my version of his “Portrait of a Gentleman”. I return to Moroni because his work is so compelling. It also a great exercise in tonality as the flesh isn’t the brightest, lightest part of the picture. For more about this portrait the National Gallery website has details.