The best time to visit the National Gallery is when it’s sunny as all the tourists stay outside! Bearing this in mind, I took my watercolour crayons along to room23 where Rembrandt’s double portraits of Margareth de Geer and Jacob Trip hang.
This portrait is imposing and captivating. It is thought that Jacob Trip’s portrait was posthumous, created from a selection of other portraits. This may explain the contrast between the two portraits. De Geer is a presence we notice from across the room. A woman in mourning, determined and strong.
Drawing from Rembrandt is always a challenge and a joy. I love how he builds his images and places hands so that they invade our space.